Selasa, 27 April 2010

Cowboys In Paradise

Film Cowboys In Paradise - The director of the documentary “Cowboys in Paradise,” an already hugely controversial look at the gigolo lifestyles of Bali’s “Kuta Cowboys,” has already begun to receive hate mail and death threats, despite few Indonesians having seen the film.

Singapore-based writer and director Amit Virmani told the thejakartaglobe.com that he never expected the documentary — which he describes as a compassionate look at the lives of the beach boys and their families — to create so much controversy and hatred.

He said the negative feelings were plain to see from the comments posted on the trailers to the film on Youtube.

“It’s unfortunate that people are making this out to be anti-Indonesian film by an Indian filmmaker,” Amit said. “That’s ridiculous and dangerous in today’s climate where harmony is so fragile. Besides, hatred is not what the film is about. And it’s not what Bali is about,” he said.

One of the emails sent to Amit describes his as an “irresponsible idiot” and he has “become the biggest enemy in Bali.”

Another calls him a “rubbish man,” mistaking him for an Indian man Amit interviewed as part of the documentary. In the film the man, who speaks positively about the Cowboys and says they have many positive economic impacts on the resort island, said the beach boys were part of the “national gross product,” which is misunderstood.

“Hi f***ing amit virmani... wtf do you mean by national gross product? you are the gross director.. I even don’t acquiesce to write your f***ing indian name in capital..because I dont f***ing respect rubish man like YOU !!!,” the email said.

Amit said the man was wrongly attacked for being “anti-Bali” and “jealous” of the Cowboys.

“But he’s a vocal supporter of the Cowboys! He insists they’re doing nothing wrong, that the world should not judge them because in their own way they add color to Bali. That’s the problem when you judge a film by a 2-minute trailer. Rather than being jealous of the Cowboys, in the film he explains their obvious appeal to women, and the failure of other men (himself included!) to connect with women as well as they do,” Amit said.

A harsher threat was sent to one of Amit’s Facebook friends who had spoken positively about the film. “I will stitch your ass to your mouth and leave your arms on the street to be crush by trucks and I will cut out your eyes out with a rusty knife before boil you alive.”

Amit reiterated that there was no need for hatred.

“I cannot emphasize enough that it is not the point of the film. None of the people involved in making the film, or the people interviewed for it, think the beach boys pose any danger to tourists or hurt their holiday experience. We sincerely hope our film is not used as an excuse to victimize the beach boys,” Amit said.

He said he was concerned about Monday’s raids on Kuta Beach, in which Bali tourism officials and security personnel had allegedly targeted 28 men with “tanned and muscular” bodies.

“What I find troubling is news of the recent raids, rounding up men with ‘tanned and muscular bodies’ on the beach. It’s not my place to question the motivations behind such actions. I’m sure the government officials have to deal with issues larger than the film,” Amit said.

Bali Tourism Board chief Ida Bagus Ngurah Wijaya said on Monday that “Cowboys in Paradise” had nothing to do with Bali’s reputation as the most sought-after tourism destination in the world.

“That documentary, I believe, was over the top. It in no way represents what Bali is truly about, which is a world-class cultural destination,” Ida Bagus said.

Amit said he agreed with Ida.

“I just want to go on record saying that I wholeheartedly agree with what the Bali Tourism Board is saying. In fact, I’m not sure why they would think our position is otherwise. The film is about one small aspect of life on a holiday island. It does not suggest that the Cowboys are all that Bali is about. It was never the point we sought to make, and the film should not be used as a counterpoint to Bali’s status as a world-class tourist destination, nor call into question the beauty of the island and her people,” Amit said.

Kamis, 22 April 2010

Zodiak

International media conglom Zodiak Entertainment has increased its 35% stake in Indian TV content creator Sol Prod. to a controlling 51%.

Sol has appointed former Star TV assistant VP Keshav Kaul as its CEO.

Sol has produced several popular shows, including reality skein "Nach Baliye" and chat show "Koffee with Karan" for Star, featuring helmer Karan Johar ("My Name Is Khan"), and teen drama "Kya Mast Life Hai" for the Disney Channel India. Its celebrity matchmaking show "Swayamvar" drew more than 38 million viewers for its first season finale on NDTV Imagine.

Zodiac companies have produced successful shows like "Fort Boyard" and "Wallander," and its Yellow Bird shingle produced the Swedish hit "Millennium" film trilogy, the first of which "The Girl With the Dragon Tattoo" is being prepped for a Hollywood remake.

Minggu, 18 April 2010

Funny Pictures

Olympic gold medalist and "Dancing with the Stars" champion Shawn Johnson and Katelyn Epperly, of "American Idol" fame, have more in common than talent and star power. The two West Des Moines natives hit the books at Westridge Elementary, Indian Hills Junior High and Valley High School. They both attend Lutheran Church of Hope. Each rose to national fame and wowed audiences on reality television shows.

Epperly, 20, and Johnson, 18, are back in town and spent a recent afternoon together. On the agenda: Chatting about life in front of the camera, dishing on future plans, reminiscing about favorite local hangouts and even guys.

On their TV stints and fame

Shawn Johnson: It's funny to think that we went to the same elementary, middle school and high school and then you went to "American Idol" and (I went to) "Dancing with the Stars" - and they film right across the street.

Katelyn Epperly: Uh huh, (they were) right there!

SJ: What was it like (for you) getting on stage? I'd never get on stage and sing, but getting on stage and dancing was nerve-wracking. Was it hard?

KE: I thought I was going to be really nervous about it. And, I don't mean this in a cocky way, I just mean it in a weird way - I didn't get nervous. It was the strangest thing. I just focused on the small audience in the room and didn't think about the 30 million people that are watching, and it felt natural. ... If "American Idol" did anything else, it confirmed what I want to do in the future.

Moments later:

SJ: Going straight from (the Olympics) to "Dancing with the Stars," being thrown into something completely new - that was really intimidating.

KE: So have you ever danced before?

SJ: No, you're not allowed to have any dance experience.

KE: Wow, that's even more impressive!

SJ: ... I started from nothing, then I got used to the whole production of a show, doing red carpets and being a part of the whole TV world and it's completely different. I have to admit, I miss the athletic world, but the TV world is fun. What did you think about the whole production?

KE: ... The only part - I would call it my least favorite perk - is being recognized everywhere you go. And TMZ (celebrity news Web site) hounding you and pictures. ... There's so much of your life that isn't normal anymore, and sometimes you just want that time to, like, go out to dinner with your friend. It's nice that people support you, but ...

SJ: Do you get that around here?

KE: Mmm-hmm.

SJ: I completely understand, it's really hard to handle sometimes. ... It's hard, because, like, they're your fans and it's really nice.

KE: And you want to be gracious to your fans. If it weren't for my fans, I'd have no future in music, you know. You just have to bite the bullet with that one.

SJ: It's definitely different than L.A., though. I remember the whole TMZ thing. ... There was a huge controversy over "Dancing with the Stars" with safety. We actually moved studios, dance studios. We had TMZ people, like, climbing trees to get pictures through the top windows! ... It's crazy.

KE: (Laughs)

Katelyn and Shawn reminisce about L.A.

SJ: I miss L.A. shopping.

KE: Yeah, but I don't miss L.A. traffic and I don't miss L.A. superficialness. There's definitely a homey feeling about Des Moines.



On West Des Moines

KE: We have another thing in common besides reality TV: We both have the key to the city (of West Des Moines).

SJ: Yep! When they know that and stuff, they're like, "So what does the key get you?"

KE: (Laughs). It's nothing, it's just an accomplishment.

SJ: An honor.

SJ: I remember back ... we went to the same elementary (school and) we did the school play ("100 Years of Broadway") together - you sang and I danced.

KE: ... When you were first going to be on the Olympics ... I had a flashback to you sitting on my lap in a rehearsal!

SJ: Yeah! We were in the corner of Mrs., uh, Houston...

KE: Mrs. Houston's room! You were in fourth grade, and I was in sixth grade.

SJ: You were an amazing singer, too, back then, I remember that.

Later in the conversation:

SJ: Did you ever go to Skate West?

KE: I went to Skate West every Friday in sixth grade.

SJ: Me too!

KE: That was the place to look for cute boys or to do the cha cha slide in your roller skates ...

Sophia Ahmad: What are some places you'll always come back to visit?

SJ: Gateway Market.

KE: Mmm, mmm. Gateway Market. I like the Grand Piano Bistro. And I've never been here before, Blue Moon, it looks pretty nice too, it's newer.

SJ: The Samurai Sushi place is my favorite.

KE: I just went there this week with my dad, it's way good. I like downtown in general. ...

SJ: Have you been to the Gateway Market down there?

KE: Mmm, hmm. That's way nice. ...

Ahmad: What do you guys get there?

KE: At Gateway? I get the cranberry walnut salad.

SJ: Yeah! (laughs)

KE: You do (too)?

SJ: Yes, or the cilantro lime chicken salad.



On friends, Shawn's boyfriend

KE: What was your partner like on "Dancing with the Stars?"

SJ: My partner (Mark Ballas) was awesome, he's like a big brother.

KE: Do you still talk to him?

SJ: Yeah, actually I talked to him today! ... He's really nice. He's a musician. He just came out with an album.

KE: Nice! It seems like you guys had a lot of fun together.

SJ: We did. We had a great time. Did you get really close with all of the other people on "American Idol?"

KE: ... Lilly (Scott), Crystal (Bowersox) and I got really, really close. ... I still talk to Crystal. She's like saying how she's going to send me free stuff - they're (the finalists) super spoiled now (with merchandise). I didn't get a piece of any of that cool stuff!

Later on:

Ahmad: (To Shawn) I saw that your boyfriend pulled an April Fool's Day Joke on you. Can you talk about that?

SJ: Yeah, I didn't even know it was April Fool's. I got a text in the morning, and he's like "I'm in the hospital," and I was like "Oh my gosh, I don't know what to do!" He recently had surgery, so he said that he got hurt again and needed surgery. It just wasn't a funny joke. I freaked out. And he goes, "That's not even the worst part," and I was like, "Oh no, what is it?" and he goes, "That you fell for that so easily!"

KE: (Laughs). That's awesome!

Ahmad: Can you tell us who it is?

SJ: No, I'll keep that one a secret.



On their plans

KE: I'm working and writing an album right now. ... I'm going to be visiting Nashville ... moving down there (in August) and trying to tackle this beast on my own.

SJ: Do you write your own songs?

KE: Yes, I write my own music and I definitely do better when I'm in the company of other musicians and we work together. ... Right now, when I work an eight-hour shift (working at a salon or nannying) and I come home to my mom's house, it's not really motivating to sit down and write an inspirational song, you know.

Later in the conversation:

KE: I'm really excited, I'm nervous, 'cause I'm going to literally be that typical, struggling musician. ...

SJ: Yeah, but, I think with "American Idol," that will really help you. Just with what I've been able to experience from "Dancing With the Stars" - I'm not even in that world and you know, I get offers all the time. It's just a launching pad for everything. You'll be amazed no matter what.

KE: You think so?

SJ: Definitely.

KE: Thank you!

SJ: I mean, you're going to go to Nashville and they're going to be like, "Oh yeah, you're the 'American Idol' girl, we know you can sing." It's not like you have to prove yourself.

Minutes later:

Ahmad: Shawn, would tell us what colleges you're considering?

SJ: I'm looking into Stanford, Vanderbilt and Duke. It just depends on the Olympics. If I go back to the Olympics, it won't be college for another, like, 4 or 5 years. If I don't, then I'll go to college next year (for fall admission). ... ( I would major in) business, communications and kind of being able to go and speak and be a part of the entertainment world. ... I've always wanted to study kinesiology. I think with gymnastics, you get a sense of that because you know your body so well.

On being a role model:

SJ: You're thrown into the spotlight. ... Every move you make is watched. It's hard, but it's an honor, it's something you work for ... I love the title.

KE: Definitely. Being from a small town, it's a way to show that it doesn't really matter where you come from, if you work hard enough then things can be accomplished. ...We have all these bad decisions that we could be making because of our surroundings. I think that being in the spotlight is not only good for us to help other people, but it puts you under a microscope so it helps you better yourself as a person. You can't make a bad decision and get away with it. You've got a camera somewhere or someone blabbing about it. It definitely keeps yourself in check.

On their wildest dreams:

KE: I would own my own studio and (would) be writing and selling music. And I'd be doing it with, like, multiple artists. On the show, I so often got criticized for not picking a niche for my genre, but that's the thing, I don't have an exact genre. ... That would be the life - and owning a studio and being able to record other people once I was too old and people don't want to look at me anymore. (Laughs.)

SJ: ... I'd love to own my own chain of athletic departments. There's a camp called Woodward, it's an extreme sports camp. I'd love to have my own international camp.

KE: The Shawn Johnson sports camp! (Laughs)

SJ: Yeah! I've always wanted to host my own show. ... I did some commentary for E! (Entertainment Television). I would love to host my own program.

Ahmad: What kind (of program)?

SJ: I don't know yet, I haven't figured that out.

Ahmad: Maybe sports or entertainment?

SJ: Yeah, a mix between both.

Jumat, 16 April 2010

Zodiac Signs

Hotel Murah di Jakarta - The free-spirited Archer's arrow will pierce the stable heart of the Virgo, but watch as Virgo turns the arrow on Sadge to burst his dream bubble.

These two signs will find themselves frequently at a crossroads, a stand off, and even arguing about the color of the sky. While Sadge will point out dreamy flecks of pink during a sensual sunset, Virgo will remain down to earth and discuss dominant blue.

When Sagittarius is ready to leap to the bottom of the deep blue sea, Virgo studies its practicality, putting much thought before putting one foot in front of the other. In love and bedroom antics, it's much the same. Virgo's virgin-like caution will take the sparks out of the moment for the eager Archer.

The only thing these two will agree on is that they disagree on just about everything.

Famous Virgo-Sagittarius couple: Beyonce (Virgo) and Jay Z (Sagittarius).

Senin, 12 April 2010

Comr.Gen Susno Duadji

The National Police's chief of detectives Comr. Gen. Ito Sumardi on Friday denied knowing the identity of “Mr. X,” whom former chief of detectives Comr. Gen. Susno Duadji said was the real judicial mafia at the National Police.

Susno Duadji “Before we name a person as a case broker, we have to prove it first. As a law enforcement agent, I don't want to make reckless accusations. It would be very unwise if I made a wild guess on who Mr. X is. I'm not fond of guessing games,” Ito was quoted as saying in Kompas.

A defiant Susno on Thursday fired another salvo at the National Police, accusing the force of having studiously avoided implicating the real actor in the scandal surrounding rogue tax official Gayus Tambunan. He made the statement during a hearing with House of Representatives Commission III, which oversees laws and legislation.

“There is a real actor, the mastermind, who is still untouched by the law,” Susno said. “Everyone at the National Police, including the current National Police chief detective Comr. Gen. Ito Sumardi, knows about the man.”

A police source close to the investigation told the Jakarta Globe that Susno was referring to businessman Syahrir Johan.

On Friday Ito challenged Susno to prove Syahrir was Mr. X.

“If Susno has the proof to back up his statement, he is welcome to present it to the public,” Ito said.

Ito gave the same response to the allegations that former deputy National Police chief Comr. Gen. Makbul Padmanegara was also a big case broker at the National Police.

“Does Susno have the proof on Pak Syahrir and Pak Makbul? Pak Syahrir is only Pak Makbul's good friend,” Ito said.

Rabu, 07 April 2010

Clash Of The Titans - Hit and Myth

A remake of the 1981 Greek mythology based action adventure by Transporter 2/Incredible Hulk director Louis Leterrier, in which the gods, angry at mankind losing faith in them, unleash a series of deadly beasts on the city of Argos, and the citizens only hope lies in a ragtag band of warriors, lead by reluctant half-god Perseus (played by Avatar star Sam Worthington, in his first role since the release of that $2 billion juggernaut). As the original is more fondly remembered for its creatures - animated in suitably creepy style by stop-motion legend Ray Harryhausen - than its story, this is one Hollywood remake that has the potential to improve upon its source material.

Although lacking the charm of Harryhausen’s work, the creature design in this new version of Clash of the Titans is suitably impressive, all rendered surprisingly well in CGI (unlike the uninspired work in Percy Jackson, Hollywood’s other foray into Greek myth this year) – particularly in the case of the really quite creepy, shrivelled and decayed Stygian witches. The film’s main monster the Kraken is also quite awe-inspiring, even if it is somewhat wasted - despite the numerous warnings given about its ferociousness throughout the film it’s dispatched fairly easily and quickly. This sums up a major problem with this film, the pacing. Clash of the Titans rattles along at a fair rate, never stopping to get dull, but on the other hand it feels like a huge chunk has been cut out of it, characters are underdeveloped or even only appear for a line of dialogue or two (which can be distracting due to the amount of recognisable faces in the film), and the time isn’t even taken to address to potential plot holes, the film instead choosing to carry on regardless.

Sam Worthington, as in Avatar, manages to do the brooding hunk act very well but struggles when asked to do much else, and doesn’t even bother to drop his Australian accent (although to be fair there’s a bit of a hodgepodge of accents going on in the film). Elsewhere the cast are either functionary – Liam Neeson does his usual authoritative thing as Zeus, and Gemma Arterton is once again posh and pretty – or wasted, About A Boy’s Nicholas Hoult makes for an odd looking warrior, and Mads Mikkelsen provides a tough presence (as he did in Antoine Fuqua’s version of King Arthur, being the only memorable thing about that myth-based action movie), but is given next to nothing to do. Really the only standout performance is Ralph Fiennes as Hades, whose unearthly (and it must be said, slightly camp, in a very entertaining way) presence is complimented with an unflattering choice of haircut and odd accent delivered in a sinister hoarse whisper.

Following the success of Avatar’s 3D screenings, Clash of the Titans’ release was delayed so that the film could be ‘upgraded’ from two dimensions to three. Although the question of what 3D has to offer other than a bit of gimmicky fun is still a very open one, Clash of the Titans is possibly the first film - certainly of this new wave of 3D movies - to actually be damaged by it. Clearly not designed to be seen this way, the loss of colour and clarity from viewing through the required spectacles renders much of the film, with its darkly lit locations and jerky editing, murky and hard to follow. If given the choice (which seems to be an increasingly rare luxury), make sure to ditch the glasses and just see it in 2D.